It's the start of a new weekend, so why not review a new band? Today, I will review a band called White Sea. Their first project titled "In Cold Blood". I love new bands/artists because it usually consists of a sound nobody has heard of before. It's new and exciting. This band is one I didn't pass on. So, is this album Boring, O.K. or Brilliant? Here is the full review.
What I listened to: "In Cold Blood" By: White Sea
How did I listen to it: 320 kbps on Apple EarPods
Release Date: May 19, 2014
The alternative genre. What does that even mean? I look at it as a treasure chest of music. You'll find golden masterpieces, hidden gems and sometimes horrible shards. It's even more interesting when you find something never seen, or in this case heard, before. White Sea features a female lead singer (I love female singers) and she is nothing to slouch against. Boy, does she have pipes. That doesn't mean she can't get down either... The music in this album is a mix of electronic/pop that can have an 80's flare to it, with a hint of new age soft rock. It starts off with a choir of vocals. Titled "They Don't Know", it's an impressive start for unknown group. Your head will listen even closer when the drum beats skip behind the high melody. The bells are a great touch to the overall sound. It creates what I call this big sound most build up to for half a song. They go right into it at the first chorus. The second half goes into this pulsing electro beat before going full 4/4 time on us. Switching the beat changes it up and causes my musician-self to say "Whaaaaaat?!?" in amazement. What an first track.
The second track titled "Prague" continues the use of their vocals and breaks into a heavy distorted bass that is so distorted it enters the guitar area of sound. This hip-hop style of beat during the versus changes again to a 4/4 time during the chorus. They blend it so smoothly. Heading into an electroinic melodic scale for the bridge, this song breaks into a heavy song with synths and organ sounds. Again, my musician-self says "Whaaaat?!?" in amazement.
"Future Husbands Past Lives" is a more 80's inspired song. Her voice is great here. She fits perfectly. The sounds coming from the band is pure greatness.
There is one exception though... I'll explain in detail later.
"For My Love" Is an orchestrated song with piano and such in the background. It turns into an upbeat melody electronically driven.
"Warsaw" is one of those song that I have the problem with. I can't understand what se is saying. It's ok when shes in a normal vocal range but as soon as she goes high into falsetto, I lose her. I don't know if it's the mix or her voice. I cannot figure it out. This song is one of those songs. I have no idea what she is saying. After really listening to it, the lyrics in this album are not for the kids in your life...they get pretty vulgar. That's not to say the music is catchy and well done....I just can't understand her half the time. It's a pattern in this album they should address for the next record.
"Small December" is a beautiful tune. Acoustic guitar or a mandola is backed up by more strings. Her voice is beautiful in this song. Really shows emotion. It's different than the most of the album and makes this album. My favorite cut by far.
The second to last song on this album is an upbeat electric-rock song. Yes, we go from strings to this. I love the alternative genre. It's so intense. It covers a lot of bases so you never know what you'll be getting yourself into. Titled "Flash" it half beats mid-song. This is stuff not done by mainstream bands/artists today...it's nuts..it's crazy and can be very well received if done correctly. They do it with ease.
The last song titled "It Will End In Disaster" starts off kind of like the movie "2001: A Space Odyssey" but goes into more strings and heavy drums. This song breaks down again and turns spacey all while going back into that heavy drums again-then turns into something totally different. It's like three or four songs in one. Just amazing.
So..........is this album Boring, O.K. or Brilliant?
Verdict: Brilliant.
I have had so much fun listening to this album. I can't believe it. The songs change with the album. They are different from each other but that is what makes them the same. It makes this band who they are. Their sound goes all over the place and it's a wonderful musical journey I hope you take too. This is what I mean when most artists should be creating the new sound, versus ones who are starting to go mainstream. There are too many songs on the radio that sound the same and it's becoming boring out there. These folks really make it worth while again. You will enjoy this album....when you can understand her. Just make sure you don't have kids because she drops a few swear words in there. The music, though, will make it totally worth it in the end.
Saturday, May 24, 2014
Friday, May 23, 2014
Brutally Honest Album Review: This Blog One Week So Far
It was a summer afternoon at a Burger King when a song came over the speakers. I began to talk about how that song, in peticular, was the only good song on that album. One of my buddies begin to talk about these YouTube videos I had going on. They kind of worked out, but it wasn't the success I was looking for. With a miniature brainstorm session, he began to talk about a album review site. After a few months of putting it off I finally decided to do it. Only not in the form of YouTube videos, but in the form of a blog. I had no idea what I was getting into but I knew I had to do it. So, how did the first week go? Has it been a success or not? This will be the review for today because I want to highlight some points of what has been happening since the first review of Michael Jackson, one week ago. (Don't worry, I won't do this every week. Once in a while after this :) )
I have reviewed seven or so albums. They range from bluegrass to country to electronic. While there are a few genres to go, I don't think that is bad for a first week. The blog in it's current state has been viewed nearly 350 times. That is around 50 views every day. Right from day one it has reached more people than I would have dreamed of. Of those 350 times, it has been viewed in 8 countries. They are: The United States, Germany, France, Poland, Australia, Canada, The United Kingdom and India. Of those countries, 4 are being read daily: The United States, Germany, France and Poland. I know this because each day the little number goes up. That is amazing. Google makes it so easy with a translating button at the top of each review so this blog can reach even more people outside the english speaking/writing world.
Including the translation button at the top of each new review, I made it easier so you can see the top reviews that you guys (and gals) along with many others have read. No sense in trying to figure out what day that one review was in the messy archive. If it was a popular review, it will be on this list.
I also added a fun poll you all can participate in. Each week will have a new question that you can vote on. Some will be non related questions while others will be to help make this the best album review bog on the internet. Don't be afraid to let your voice be heard and see how you compare to everybody else!
Each review has a place where you can comment. It's at the bottom of every review, right above the next one. It's open to anybody. You can choose anonymous if you aren't comfortable giving your name out or you can put your name or whatever you feel to put in that box. If you disagree with me, thats awesome. I love that. Please speak your mind. That's why I have them open to everybody. I want to hear your feedback. It's important to me. It will help make this the best album review blog out there.
Speaking of feedback, in each review I have a section of what I listened to and what I listened it on. So far it has been on my EarPods but in the future I will get a better upgrade. I do this so you can know what to expect even more. To enhance this section, I will add a release date to each album. Some albums I will review before they are out, so this information will become more important. Thank you for the feedback on that.
Lastly, I want you to do one small favor. Please, please tell everybody you know about this blog. Anybody who is a music lover, a musician, a grandpa who can barely play talk radio...everybody. The bigger audience I have will only make your experience better. The more votes on the poll, the more comments on the reviews, etc. That will allow this family to grow. Share on Facebook, Twitter or any other social webpage you and your family/friends use. If you have a Google+ account, follow me there so you are up to date. If you don't have a Google+ account, be sure to bookmark this so every morning at 6 AM central (US) time, you can see new reviews before anybody else. With all of the sharing, commenting, following and bookmarking, you can make this The Blog to go to for album reviews. You folks are the best readers anybody could ask for and I can only do this with the help of you guys (and gals).
I can't thank you guys (and gals) enough for making this first week a huge success so far. It's reached more people and places than I had ever dreamed about. It started off as an idea with my buddies and I at a local Burger King. Thanks to you, it's now a reality.
Clint (A.K.A. AcousticBrotha)
Now, back to the music... :)
Including the translation button at the top of each new review, I made it easier so you can see the top reviews that you guys (and gals) along with many others have read. No sense in trying to figure out what day that one review was in the messy archive. If it was a popular review, it will be on this list.
I also added a fun poll you all can participate in. Each week will have a new question that you can vote on. Some will be non related questions while others will be to help make this the best album review bog on the internet. Don't be afraid to let your voice be heard and see how you compare to everybody else!
Each review has a place where you can comment. It's at the bottom of every review, right above the next one. It's open to anybody. You can choose anonymous if you aren't comfortable giving your name out or you can put your name or whatever you feel to put in that box. If you disagree with me, thats awesome. I love that. Please speak your mind. That's why I have them open to everybody. I want to hear your feedback. It's important to me. It will help make this the best album review blog out there.
Speaking of feedback, in each review I have a section of what I listened to and what I listened it on. So far it has been on my EarPods but in the future I will get a better upgrade. I do this so you can know what to expect even more. To enhance this section, I will add a release date to each album. Some albums I will review before they are out, so this information will become more important. Thank you for the feedback on that.
Lastly, I want you to do one small favor. Please, please tell everybody you know about this blog. Anybody who is a music lover, a musician, a grandpa who can barely play talk radio...everybody. The bigger audience I have will only make your experience better. The more votes on the poll, the more comments on the reviews, etc. That will allow this family to grow. Share on Facebook, Twitter or any other social webpage you and your family/friends use. If you have a Google+ account, follow me there so you are up to date. If you don't have a Google+ account, be sure to bookmark this so every morning at 6 AM central (US) time, you can see new reviews before anybody else. With all of the sharing, commenting, following and bookmarking, you can make this The Blog to go to for album reviews. You folks are the best readers anybody could ask for and I can only do this with the help of you guys (and gals).
I can't thank you guys (and gals) enough for making this first week a huge success so far. It's reached more people and places than I had ever dreamed about. It started off as an idea with my buddies and I at a local Burger King. Thanks to you, it's now a reality.
Clint (A.K.A. AcousticBrotha)
Now, back to the music... :)
Thursday, May 22, 2014
Brutally Honest Album Reviews: Phillip Phillips' Behind The Light
No, it's not a typo. The man who has the same name twice, almost, is back. If you're wondering, that is his actual name if you have never heard of him. If you have heard of him though, you now how big this guy has become. His new album is in for this new year. Titled "Behind The Light", it's looking to match or better the previous album. Is it Boring, O.K. or Brilliant? Here is the full review.
What I listened to: "Behind The Light (Deluxe)" By: Phillip Phillips
How did I listen to it: 320 kbps on Apple EarPods
Phillip Phillip's sound could be described, in my view, with a very close Mumford and Sons sound. What is that? Kick drums on the bass beat, acoustic guitar, some banjo and crazy long folky harmonies. That voice is similar, too. Just, minus the accent. If you were a big fan of Phillip's first album, you might be iffy about this one. Before, it was acoustic guitar driven. This album has less of that and a more electric guitar. It still has acoustic guitar but it is nothing to boast about.
The album starts off with the song "Searchlight". It leads into the second track, "Raging Fire". These two tracks are what you would expect with one of his albums. Then, "Trigger" kinda goes off beat a bit. It's a good song but this is where things start to become a little different. He shows off his singing ability but the song feels over done and is what you would expect from the other artists on the radio.
The fourth track, "Lead On" has the piano droning notes along with an orchestra sound. Lyrically it's good. It sounds as though he uses the auto tune a bit higher than normal when the song breaks down, though. Unless his voice that that strange thing naturally..I will leave you to be the judge of that.
"Alive Again" is one of those songs where he kinda grows his sound. The harmonies are fantastic. Kind of what you would expect him to do.
What I am finding at this point in the album is each song becomes this, grand anthem. Meaning an amazing chorus of vocals from something simple. Drum beats turn into this 'great thing'. It's great but it's the same problem I had with another review: it gets old and annoying/boring fast. Each song is starting to become like the one before it. At this point I'm seven songs in, and there isn't a slower tune that is acoustically driven. From his first album, we had a great song titled "Tell Me A Story". You find something like that around, maybe track eleven, a song titled "FACE". Ten tracks of nearly the same sounding songs is a lot. The first two-thirds of this album, sounds so bloated, 'big' and relatively the same.
"Fool For You" has big drums and electric guitars. Something that wasn't very common for him. "Thicket" is another over produced song. It's more rock. Heck, this whole album is more soft rock then anything. You will, however, still hear more acoustic guitar on this record than any country record today.
It's not a bad sound. He pulls it off...I'm just telling you, fans, beware that his sound has changed.
"Fly" is another one of those anthem songs. Starting from nothing to this grand 'big' sound.
Going back to "FACE", it's bluesy and acoustically driven all the way. His voice is great for this song, too. It makes me wish the album had more acoustic stuff like this one. Not necessarily bluesy but just more of what made him into who he is today. "FACE" is a great song. Best on the album, in my honest opinion.
The 'anthem' songs continue but after the change of pace from "FACE", it's welcomed. Titled "Midnight Sun", it's a good song. Writing is crafted nice, but the ever popular "Ohhhh-ohhh-ohhhhh's" are in this song as well. I wish people wouldn't resort to this level of creation. There are so many things you could do....such as.....not add them at all! Just a suggestion.
Now, if you had the original album or the regular album, this would be where your musical experience comes to an end. However, if you have the deluxe edition of this album, you have three more additional tracks. Those tracks include "My Boy", "Don't Trust Me" and "Armless Crawler".
"My Boy" is acoustic heavy and his voice is nothing but great here. You will enjoy this song. "Don't Trust Me" is a continuation of this new 'rock' sound he has going for this album. It reminds me of a song that could be played in an introduction to a James Bond movie.
"Armless Crawler" finishes the album on that new sound he has going. It's not that there is anything wrong with it, it's different. It makes me wonder where his next album will go. Will it continue to blend with everything else on the radio or will he start to be Phillip Phillips again?
So..........is this album Boring, O.K. or Brilliant?
Verdict: O.K.
To me, his latest album tried to go for a more contemporary sound. Something that you would find on the radio as opposed to something you find purely on a Philip Phillips album. This album became the project where his music grew and it is when his sound started to change. Some will like this new change in his music, others might feel iffy about it. He went from the more acoustic guitar driven material to an electric guitar, drums, big rock sound in this album. Will his next album do away with the acoustic guitar? Will he continue to grow into a more rock or soft rock driven artist? With an artist such as he, he should not be the one following the industry music sound. He should be creating the new industry sound. This album feels like it was heavily influenced by too many of such industry folks. See how repetitive the word industry got?
There were some songs that you expect to find on a Philip Phillips album, but the majority of the songs seemed to sound like everything else...for the exception of his voice.
If you like Philip Phillips give this album a shot. You may or may not like the direction he is going, but if you are a heavy fan I guess you're going to buy it anyways. I think I will pass on this one and wait for his next one.
What I listened to: "Behind The Light (Deluxe)" By: Phillip Phillips
How did I listen to it: 320 kbps on Apple EarPods
Phillip Phillip's sound could be described, in my view, with a very close Mumford and Sons sound. What is that? Kick drums on the bass beat, acoustic guitar, some banjo and crazy long folky harmonies. That voice is similar, too. Just, minus the accent. If you were a big fan of Phillip's first album, you might be iffy about this one. Before, it was acoustic guitar driven. This album has less of that and a more electric guitar. It still has acoustic guitar but it is nothing to boast about.
The album starts off with the song "Searchlight". It leads into the second track, "Raging Fire". These two tracks are what you would expect with one of his albums. Then, "Trigger" kinda goes off beat a bit. It's a good song but this is where things start to become a little different. He shows off his singing ability but the song feels over done and is what you would expect from the other artists on the radio.
The fourth track, "Lead On" has the piano droning notes along with an orchestra sound. Lyrically it's good. It sounds as though he uses the auto tune a bit higher than normal when the song breaks down, though. Unless his voice that that strange thing naturally..I will leave you to be the judge of that.
"Alive Again" is one of those songs where he kinda grows his sound. The harmonies are fantastic. Kind of what you would expect him to do.
What I am finding at this point in the album is each song becomes this, grand anthem. Meaning an amazing chorus of vocals from something simple. Drum beats turn into this 'great thing'. It's great but it's the same problem I had with another review: it gets old and annoying/boring fast. Each song is starting to become like the one before it. At this point I'm seven songs in, and there isn't a slower tune that is acoustically driven. From his first album, we had a great song titled "Tell Me A Story". You find something like that around, maybe track eleven, a song titled "FACE". Ten tracks of nearly the same sounding songs is a lot. The first two-thirds of this album, sounds so bloated, 'big' and relatively the same.
"Fool For You" has big drums and electric guitars. Something that wasn't very common for him. "Thicket" is another over produced song. It's more rock. Heck, this whole album is more soft rock then anything. You will, however, still hear more acoustic guitar on this record than any country record today.
It's not a bad sound. He pulls it off...I'm just telling you, fans, beware that his sound has changed.
"Fly" is another one of those anthem songs. Starting from nothing to this grand 'big' sound.
Going back to "FACE", it's bluesy and acoustically driven all the way. His voice is great for this song, too. It makes me wish the album had more acoustic stuff like this one. Not necessarily bluesy but just more of what made him into who he is today. "FACE" is a great song. Best on the album, in my honest opinion.
The 'anthem' songs continue but after the change of pace from "FACE", it's welcomed. Titled "Midnight Sun", it's a good song. Writing is crafted nice, but the ever popular "Ohhhh-ohhh-ohhhhh's" are in this song as well. I wish people wouldn't resort to this level of creation. There are so many things you could do....such as.....not add them at all! Just a suggestion.
Now, if you had the original album or the regular album, this would be where your musical experience comes to an end. However, if you have the deluxe edition of this album, you have three more additional tracks. Those tracks include "My Boy", "Don't Trust Me" and "Armless Crawler".
"My Boy" is acoustic heavy and his voice is nothing but great here. You will enjoy this song. "Don't Trust Me" is a continuation of this new 'rock' sound he has going for this album. It reminds me of a song that could be played in an introduction to a James Bond movie.
"Armless Crawler" finishes the album on that new sound he has going. It's not that there is anything wrong with it, it's different. It makes me wonder where his next album will go. Will it continue to blend with everything else on the radio or will he start to be Phillip Phillips again?
So..........is this album Boring, O.K. or Brilliant?
Verdict: O.K.
To me, his latest album tried to go for a more contemporary sound. Something that you would find on the radio as opposed to something you find purely on a Philip Phillips album. This album became the project where his music grew and it is when his sound started to change. Some will like this new change in his music, others might feel iffy about it. He went from the more acoustic guitar driven material to an electric guitar, drums, big rock sound in this album. Will his next album do away with the acoustic guitar? Will he continue to grow into a more rock or soft rock driven artist? With an artist such as he, he should not be the one following the industry music sound. He should be creating the new industry sound. This album feels like it was heavily influenced by too many of such industry folks. See how repetitive the word industry got?
There were some songs that you expect to find on a Philip Phillips album, but the majority of the songs seemed to sound like everything else...for the exception of his voice.
If you like Philip Phillips give this album a shot. You may or may not like the direction he is going, but if you are a heavy fan I guess you're going to buy it anyways. I think I will pass on this one and wait for his next one.
Wednesday, May 21, 2014
Brutally Honest Album Reviews: Chromeo's White Women
It's World Wednesday, meaning I will review an album of a band or artist that is from around the world. The 80's are back with a new album from this Canadian Electrofunk band. Is it Boring, O.K. or Brilliant? Here is the full review.
What I listened to: "White Women" By: Chromeo
How did I listen to it: 320 kbps on Apple EarPods
"White Women" starts off with a catchy tune that is filled with electronic noises and body moving beats. Titled "Jealous (I ain't with you)" is a great way to introduce the listener to what they are about to hear. It's also one of the singles being pushed so if you have happened to hear of this song from these guys before, it becomes instantly familiar. It's vocals mixed with the music and instrument licks is nothing short of great.
The funk side is heavier in the third track, "Over You Shoulder". The synth pads mixed with musical scales that start super low and move up are fantastic. The bass line continues throughout the song and sounds fantastic. Anybody with a great stereo or set of headphones will be in ecstasy. The headphones I use manage to put out the music pretty well. The 320 kbps helps a lot, too.
"Sexy Socialite" is a fun song, along with the rest of this album. Being bass driven, you can't NOT feel the music. Now, being an electronic band, you might think, 'they will be using auto tune a lot and I'm really not one for that'. Yes, they use it a little, but not where one would be turned off by it. The music is music. By the way, there is cowbell in this song and its pretty awesome. Always takes me back to that SNL skit with Will Ferrell.
The album has a great duet with a singer named Solange. I don't know too much about her but I'm a huge fan of female singers. Her voice is perfect for this type of music. The drums begin to drive the song because the bass has been turned into spacey synth pads. Speaking of space, song fades out majestically as a Star Wars intro.
"Hard To Say" starts off with the voices matching the guitar line. Very cool. The attention to detail with each musical bar is incredible. When the singer starts to sing the notes longer leading up to the chorus, the longer synth pads come in. Its 'hard to say no' to what they have going on.
The album takes a slow turn with the piano for a minute or two but it kind of leads back into the next track "Old 45's". The writing is very unique and is a welcome change of pace from the rest of the album. The writing style fits this style of music unlike an earlier review of Keith Urban's country (I mean pop) record "Fuse". You can find it in the archive to the right.
"Frequent Flyer" is right out of the 80's. Their voices are played with a synth leading up to the chorus. It's fun because it's a different kind of auto tune! It features a mock Pilot's voice that is crazy and something not done today. The music continues with fantastic rhythms and voices that are filled with greatness.
The last song is titled "Fall Back 2U" and features orchestrated parts and a strangely mixed vocal line that sounds like a bad edit, but it matches the music and style so well, it goes from faulty to amazing. The song breaks it down and grows from nothing but synth pads to a saxophone solo. Yes a saxophone with an orchestrated background. The electronic auto tunes make it into a semi-Daft Punk song. Thats a great thing. This song is fantastic to the end. The 'future' sound of electronic mixed with the 'timeless' classical orchestra is great. The song/album fades with synths and clapping (ala-Michael Jackson style) and ends.
Wow. The music was so different from what is out there today. Being formed in 2002, they have 4 albums out. This one is destined to be one of those great albums of 2014. The members Dave 1 (David Macklovitch) and P-Thugg (Patrick Gemayel) Have a sound that is energetic, fun and crazy sometimes. The 80's are alive and well in this album but it's eyes are set on the future.
So..........is this album Boring, O.K. or Brilliant?
Verdict: Brilliant
I had so much fun listening to this record, I actually listen to it more than I should have for this review. Haha It is just, so brilliant. The stuff they do, the sounds they make, the licks that flow with each other…etc. Brilliant is what this album is, in my honest opinion. This album is something you can tell they put a lot of hard work into. You can hear the many hours in this art. It does what makes me fall in love with music all over again. Even if you are not a big fan of electronic music, give this album a try. The melodies in the baselines with the rest of the music is incredible. They only use auto tune for a little bit, but even at that, it is not what you would think. I haven't really heard it used in the way such as this. Maybe if I really look back at the music I've heard, I could probably find a couple instances but it is pure genius. Go check this album out. You will not be disappointed. I think I will listen to it, again.
"Sexy Socialite" is a fun song, along with the rest of this album. Being bass driven, you can't NOT feel the music. Now, being an electronic band, you might think, 'they will be using auto tune a lot and I'm really not one for that'. Yes, they use it a little, but not where one would be turned off by it. The music is music. By the way, there is cowbell in this song and its pretty awesome. Always takes me back to that SNL skit with Will Ferrell.
The album has a great duet with a singer named Solange. I don't know too much about her but I'm a huge fan of female singers. Her voice is perfect for this type of music. The drums begin to drive the song because the bass has been turned into spacey synth pads. Speaking of space, song fades out majestically as a Star Wars intro.
"Hard To Say" starts off with the voices matching the guitar line. Very cool. The attention to detail with each musical bar is incredible. When the singer starts to sing the notes longer leading up to the chorus, the longer synth pads come in. Its 'hard to say no' to what they have going on.
The album takes a slow turn with the piano for a minute or two but it kind of leads back into the next track "Old 45's". The writing is very unique and is a welcome change of pace from the rest of the album. The writing style fits this style of music unlike an earlier review of Keith Urban's country (I mean pop) record "Fuse". You can find it in the archive to the right.
"Frequent Flyer" is right out of the 80's. Their voices are played with a synth leading up to the chorus. It's fun because it's a different kind of auto tune! It features a mock Pilot's voice that is crazy and something not done today. The music continues with fantastic rhythms and voices that are filled with greatness.
The last song is titled "Fall Back 2U" and features orchestrated parts and a strangely mixed vocal line that sounds like a bad edit, but it matches the music and style so well, it goes from faulty to amazing. The song breaks it down and grows from nothing but synth pads to a saxophone solo. Yes a saxophone with an orchestrated background. The electronic auto tunes make it into a semi-Daft Punk song. Thats a great thing. This song is fantastic to the end. The 'future' sound of electronic mixed with the 'timeless' classical orchestra is great. The song/album fades with synths and clapping (ala-Michael Jackson style) and ends.
Wow. The music was so different from what is out there today. Being formed in 2002, they have 4 albums out. This one is destined to be one of those great albums of 2014. The members Dave 1 (David Macklovitch) and P-Thugg (Patrick Gemayel) Have a sound that is energetic, fun and crazy sometimes. The 80's are alive and well in this album but it's eyes are set on the future.
So..........is this album Boring, O.K. or Brilliant?
Verdict: Brilliant
I had so much fun listening to this record, I actually listen to it more than I should have for this review. Haha It is just, so brilliant. The stuff they do, the sounds they make, the licks that flow with each other…etc. Brilliant is what this album is, in my honest opinion. This album is something you can tell they put a lot of hard work into. You can hear the many hours in this art. It does what makes me fall in love with music all over again. Even if you are not a big fan of electronic music, give this album a try. The melodies in the baselines with the rest of the music is incredible. They only use auto tune for a little bit, but even at that, it is not what you would think. I haven't really heard it used in the way such as this. Maybe if I really look back at the music I've heard, I could probably find a couple instances but it is pure genius. Go check this album out. You will not be disappointed. I think I will listen to it, again.
Tuesday, May 20, 2014
Brutally Honest Album Reviews: Dolly Parton's Blue Smoke
Ok, it's a few month's old but I didn't have a blog back when it was released. With an artist such as she, one cannot ignore her latest album "Blue Smoke". She is known throughout the world with the blonde who has big boobs but don't let that fool you. Her talent and voice are better than most of what's is played on radio today. How does Dolly's latest album stack up? Is it Boring, O.K. or Brilliant? Here is the full review.
What I listened to: "Blue Smoke" By: Dolly Parton
How did I listen to it: 320 kbps on Apple EarPods
This latest album doesn't hold out. When you hit play, a dobro into leads into an upbeat title track that will make you realize you've made a great purchase. If you haven't really listened to Dolly, you had to of heard of "Islands In The Stream" with Kenny Rogers way back in the 80's. Well, she not only does country but she does bluegrass and ones where it's just her and her guitar. This album pretty much has it all. It doesn't fail. The vocals that her and the backup/harmony singers sing, are great. The instrumentation in the title tack is filled with amazing talent. The only thing I found is that the first song never seems to end, even though it's relatively short.
"Unlikely Angel" is classic Dolly. The classic country with bluegrass sound makes it an instant classic. The lyrics are great and heartwarming.
I love the third cut "Don't Think Twice". It starts off with finger picking guitar and a harmonica. A dobro slides in right before she starts to sing. It reminds me of something you'd hear sitting by a campfire on a perfect summer night. A Huckleberry Finn kind of introduction. When the band comes in, fiddle fills the first verse. It's a happy song, musically, but is a sad song, lyrically. Country music used to be this good. It is my favorite cut on the record by far.
The album continues with a stellar duet with Kenny Rogers. "You Can't Make Old Friends" is kind of fitting for two old friends. The writing is great and I don't think anybody could have done this song other than these two. The chemistry is there, just as it was back in the 80's. Modern country can't and won't capture the feeling within this song. It's an instant classic.
While today's country is filled with a different sound than what Dolly is normally known for, she has to have a modern sound to be able to compete with what is being played. You know, though, she has a fiddle as an instrument that has a pretty prominent part. "Home" has writing that is uplifting and makes you feel good, plus its a catchy tune. Reminds me of something from the early 2000's. That's a good thing.
"Banks of the Ohio" is a new take on a traditional bluegrass song. It has the melody of the original but it has new lines that show both sides of the killer ballad. Pun intended.
"Miss You-Miss Me" is beautiful song. The acoustic guitar ringing sounds clear as a bell. The sad lyrics would bring a tear to a glass eye. The mandolin tremelos give a somber tone not heard in today's country music.
"If I Had Wings" reminds me of the classic "Wayfaring Stranger". The album continues to a lighter note in "Lover du Jour". Reminds me of the "9-to-5" days. It's a genously written song that even english speakers will understand and chuckle a bit.
Kenny Rogers' duet isn't the only duet on here. Willie Nelson joins this album in a great song titled "From Here to the Moon and Back". This song is country. Willie's reconizeable voice is just as good as it was all those years ago. Paired with Dolly, it's one of the better duets in modern music. Another fantastic cut.
The last song is an uplifting song called "Try". I wish more modern country artists would just 'try a little harder' to make good music again. This album ends on such a high note that, as soon as it comes to end, you'll say a quick prayer and thank God for the blessings you have. You feel happiness and good inside of you. It's typical Dolly and, as always, its a great thing.
So..........is this album Boring, O.K. or Brilliant?
Verdict: Brilliant
Listen to that modern country artists? This album was the sound of great music. People still know who Dolly is because of the legacy she has from the music she put out. She stayed true to her roots and she will be known long after she's gone because of it. This album continues to support this legacy. The lyrics in each song are from the heart, as with the melodies. The sad fiddle, happy harmonica and pretty guitar are all still relevant..you just have to know where to look. It's not the most amazing album out there, so it's on the lower half of brilliant but for bluegrass fans, this album is for you. For country fans, this album is for you. For just plain music fans, this album is for you. Give it a "Try". You will be glad you did.
What I listened to: "Blue Smoke" By: Dolly Parton
How did I listen to it: 320 kbps on Apple EarPods
This latest album doesn't hold out. When you hit play, a dobro into leads into an upbeat title track that will make you realize you've made a great purchase. If you haven't really listened to Dolly, you had to of heard of "Islands In The Stream" with Kenny Rogers way back in the 80's. Well, she not only does country but she does bluegrass and ones where it's just her and her guitar. This album pretty much has it all. It doesn't fail. The vocals that her and the backup/harmony singers sing, are great. The instrumentation in the title tack is filled with amazing talent. The only thing I found is that the first song never seems to end, even though it's relatively short.
"Unlikely Angel" is classic Dolly. The classic country with bluegrass sound makes it an instant classic. The lyrics are great and heartwarming.
I love the third cut "Don't Think Twice". It starts off with finger picking guitar and a harmonica. A dobro slides in right before she starts to sing. It reminds me of something you'd hear sitting by a campfire on a perfect summer night. A Huckleberry Finn kind of introduction. When the band comes in, fiddle fills the first verse. It's a happy song, musically, but is a sad song, lyrically. Country music used to be this good. It is my favorite cut on the record by far.
The album continues with a stellar duet with Kenny Rogers. "You Can't Make Old Friends" is kind of fitting for two old friends. The writing is great and I don't think anybody could have done this song other than these two. The chemistry is there, just as it was back in the 80's. Modern country can't and won't capture the feeling within this song. It's an instant classic.
While today's country is filled with a different sound than what Dolly is normally known for, she has to have a modern sound to be able to compete with what is being played. You know, though, she has a fiddle as an instrument that has a pretty prominent part. "Home" has writing that is uplifting and makes you feel good, plus its a catchy tune. Reminds me of something from the early 2000's. That's a good thing.
"Banks of the Ohio" is a new take on a traditional bluegrass song. It has the melody of the original but it has new lines that show both sides of the killer ballad. Pun intended.
"Miss You-Miss Me" is beautiful song. The acoustic guitar ringing sounds clear as a bell. The sad lyrics would bring a tear to a glass eye. The mandolin tremelos give a somber tone not heard in today's country music.
"If I Had Wings" reminds me of the classic "Wayfaring Stranger". The album continues to a lighter note in "Lover du Jour". Reminds me of the "9-to-5" days. It's a genously written song that even english speakers will understand and chuckle a bit.
Kenny Rogers' duet isn't the only duet on here. Willie Nelson joins this album in a great song titled "From Here to the Moon and Back". This song is country. Willie's reconizeable voice is just as good as it was all those years ago. Paired with Dolly, it's one of the better duets in modern music. Another fantastic cut.
The last song is an uplifting song called "Try". I wish more modern country artists would just 'try a little harder' to make good music again. This album ends on such a high note that, as soon as it comes to end, you'll say a quick prayer and thank God for the blessings you have. You feel happiness and good inside of you. It's typical Dolly and, as always, its a great thing.
So..........is this album Boring, O.K. or Brilliant?
Verdict: Brilliant
Listen to that modern country artists? This album was the sound of great music. People still know who Dolly is because of the legacy she has from the music she put out. She stayed true to her roots and she will be known long after she's gone because of it. This album continues to support this legacy. The lyrics in each song are from the heart, as with the melodies. The sad fiddle, happy harmonica and pretty guitar are all still relevant..you just have to know where to look. It's not the most amazing album out there, so it's on the lower half of brilliant but for bluegrass fans, this album is for you. For country fans, this album is for you. For just plain music fans, this album is for you. Give it a "Try". You will be glad you did.
Monday, May 19, 2014
Brutally Honest Album Reviews: Keith Urban's Fuse
Keith Urban has become the blue eyed sex appeal of country music. His newest album "Fuse" just got a Deluxe Edition release. He has touched our hearts with his heavy lyric driven singer songwriter ballads and with his energetic guitar solos. Will the album be worthy enough for your musical library? Will it be Boring, O.K. or Brilliant? Here is the full review.
What I listened to: "Fuse (Deluxe Edition)" By: Keith Urban
How did I listen to it: 320 Kbps on Apple EarPods
Usually in a review, for pretty much anything, the writer tries to leave you guessing with what he will think about it to the end. Not here. We are Brutally Honest. This album is below Boring.
Country music. What has happened? I can understand a few songs that cross over to a different genre for "business" reasons but this is insane. I'll say it here: having a banjo in your music doesn't make it country music. The intro to the album starts off with a banjo sounding instrument. Then, the drums kick in. If they are even real. They sound digital. Since when did anybody ever do this except in rap and pop?
No this isn't one of those, "well if Hank Williams did it that way, everybody should do it that way" kind of review. I'm all for experimenting in music but when you change a genre, it's not longer experimenting. You have gone totally for that way.
This album is not country. So, I will review this as a Pop record.
So far it pretty much blows. Maybe the next few songs will get better...?
Let's go to track four titled "Shame". Yup. Sums up what I feel when I listen to this album.
"Good Thing"...nope. Generic lyrics that talk about tailgates and trucks. It has made it's way to this record because it's the 'cool thing to do' in modern country music. But since it's a pop record, talking about trucks aren't cool. Unless you're Florida Georgia Line and you roll windows down. This song doesn't include stuff about that but it's summing what I feel about it so far.
There is a duet with Miranda Lambert...but fails to really capture emotion. I listen to it and all I think of is....Bleh...
Let's fast forward to the song "Red Camaro". They lyrics feel rushed...although, the banjo loop did sound pretty cool with the faux drums. But it just didn't gel with his voice in the mix. Sounded like a poor man's attempt at pop. Oh wait...
At least he's not singing about trucks at this point.
There is a song featuring Eric Church. Probably the only good song on this album. Because it's used with actual musical instruments. It never goes anywhere too 'epic' but it's style is an anthem for the good things in life. Hence the name "Raise 'Em Up". It's the best song on this record and it doesn't deserve to be on a record such as this.
Now since this is a deluxe edition, I do have to say that it includes three new songs: "Black Leather Jacket", "Gonna B Good" and "Lucky Charm".
"Lucky Charm" is about how a girl is his lucky charm. Taking him from the dark side to where he is now. In the light.
It's more of the sounds we have been used to but there's still that 'pop' sound to it.
That's all I want to say about that. I made myself listen to the whole thing, not once, not twice but three (3) times. Just like I do with all of my reviews. Ok...
Verdict: Boring.
I never thought Keith would stoop to a musical level such as this. The heartfelt songs, the beautiful melodies, the 'music' seemed lost with this album. It honestly feels like they decided to make an album that would attempt to cross over and in the process I am certain he lost fans other than myself. It was a country artist attempting to pull off mainstream pop by using cheesy country lyrics. Last time I checked pop artists don't sing about pick-up trucks. The drinking part, now that's a bit different in some cases.
Don't pick this up. This sound should not be encouraged. It doesn't matter if it's not the way Hank or George or Akon or Usher did it. The fact is that there isn't much substance here. No hit. No heartfelt acoustic guitar melodies...I missed that in this album.
He "Fuse"-d a crappy record. Then added three more songs. Sometimes it's best to go back to where you began and try to forget this whole thing ever happened.
Don't buy this album.
Sunday, May 18, 2014
Brutally Honest Album Reviews: Michael W. Smith's Sovereign
It's Sunday, so it's gospel/religious review day!
Michael W. Smith and Christian music go together like peanut butter and jelly. They just fit. Peanut butter and jelly are very tasty..how about his latest album "Sovereign"? Will it give you that same warm fuzzy feeling? Will it be Boring, O.K. or Brilliant? Here is the full review.
What I listened to: "Sovereign" By: Michael W. Smith
How did I listen to it: 320 kbps on Apple Earpods
In today's music world, the radio stations available to us have boomed since the release of apps on smart phones and the Internet and such. One genre that has still remained strong is the Contemporary Christian Rock and artists of it today. And if you have happened to seek passed it in your car, listen in on your computer or if you are a big fan of that genre, you have most likely heard of Michael W. Smith. His music not only inspires whenever you are in a bad mood or feeling down but you can count on the messages that he portrays to help lift you up. This album does just that, again.
First of all, look at the cover. Simple and filled with sophistication. Just a guy sitting on a chair. He is in front of a blank canvas and you can see him smiling off into the distance. The square slightly smaller than the border create a perfect picture frame that, like I said, is simple. There is no fancy CGI or crazy patterns and designs. Just simple.
He starts off the album with the song titled "You Won't Let Go". It begins with some piano. Very beautiful. It begins to signify God's light is stronger than any darkness. The chorus comes in with Michael and some additional voices and more instrumentaion. Very well done. A great opener to album. The "Ohhh-Oh-Oh-Oh's'" you hear bring in a solid drum beat that makes you bob your head. Great opening song. You can listen to this while looking at that awesome cover art and smile just as Michael is doing.
As smoothly as the album started off, it's no sloutch. The second song titled "Heaven Come Down" gets right into the action. A loud chorus of people erupt from your speakers.
"Sky Spills Over" is a different tone for this album. It starts off with some unique instrumentation. Michael's voice is solid and once again we hear more "Oh-Oh-Oh-Ohhh's". Gives a cool flow to the album.
"You Are The Fire" is a great tune, but the drum beats are getting kind of repetitive at this moment. Only a few songs have kind of differed but not very much..and there's more "Oh-Oh-Ohhhh's". Ok Michael..we get the point lol
I guess the title track (it just has it's name in it) called, "Sovereign Over Us" is an ok track. The next song, though, is where the album takes a surprising turn from being sounding the same to changing it up a bit. Every song still has this grand-ness too it though. It builds up from nothing into something with tons of vocals and good guitar solos. The song titled "Hide Myself" is the start of this welcoming change of pace.
He starts off the album with the song titled "You Won't Let Go". It begins with some piano. Very beautiful. It begins to signify God's light is stronger than any darkness. The chorus comes in with Michael and some additional voices and more instrumentaion. Very well done. A great opener to album. The "Ohhh-Oh-Oh-Oh's'" you hear bring in a solid drum beat that makes you bob your head. Great opening song. You can listen to this while looking at that awesome cover art and smile just as Michael is doing.
As smoothly as the album started off, it's no sloutch. The second song titled "Heaven Come Down" gets right into the action. A loud chorus of people erupt from your speakers.
"Sky Spills Over" is a different tone for this album. It starts off with some unique instrumentation. Michael's voice is solid and once again we hear more "Oh-Oh-Oh-Ohhh's". Gives a cool flow to the album.
"You Are The Fire" is a great tune, but the drum beats are getting kind of repetitive at this moment. Only a few songs have kind of differed but not very much..and there's more "Oh-Oh-Ohhhh's". Ok Michael..we get the point lol
I guess the title track (it just has it's name in it) called, "Sovereign Over Us" is an ok track. The next song, though, is where the album takes a surprising turn from being sounding the same to changing it up a bit. Every song still has this grand-ness too it though. It builds up from nothing into something with tons of vocals and good guitar solos. The song titled "Hide Myself" is the start of this welcoming change of pace.
The song that makes the album, in my opinion, is the last song. It's called "That One That Really Matters". It's a duet featuring a female artist named Kari Jobe. I haven't really looked into her but her vocals mixed with Michael's is a refreshing blend. This end the album on an extremely high note. Still, though, most of the songs are somewhat the same and for the exception of Michael's voice, it's nothing you wouldn't hear on another contemporary Christian album.
So..........is this album Boring, O.K or Brilliant?
Verdict: O.K.
The album is on the better side of O.K. but for most of the CD the songs sound relatively the same. It wasn't boring because of the grand sound they each had. It was just a bit repetitive. I wish he could've done more with the rhythms and overall themes of each song. If you're a big fan of his music or a newcomer, you really can't go wrong with Michael W. Smith. His music is covered by pretty much every contemporary/modern church band and what not and it's no surprise why.
You will most likely enjoy this album. But I'm warning you, it might get repetitive for you. When you're feeling down, you will be uplifted without a doubt.
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